With the support of the Artists and Lecturers Series at Stetson University new media artist John Craig Freeman will be giving a lecture and workshop Oct 25th and 26th.
Lecture:10.25.12 7:00pm L-25 (bottom floor of the library)
Public Art in the Virtual Sphere
Whereas the public square was once the quintessential place to air grievances, display solidarity, express difference, celebrate similarity, remember, mourn, and reinforce shared values of right and wrong, it is no longer the only anchor for interactions in the public realm. That geography has been relocated to a novel terrain, one that encourages exploration of mobile location based public art. Moreover, public space is now truly open, as artworks can be placed anywhere in the world, without prior permission from government or private authorities – with profound implications for art in the public sphere and the discourse that surrounds it. Artist John Craig Freeman will show example of his work and discuss the role of the artists in the emerging virtual public sphere.
Workshop: 10.26.12 11:00 am Flagler 112, RSVP required firstname.lastname@example.org
Making Art with Augmented Reality
Syllabus for workshop http://johncraigfreeman.wordpress.com/augmented-reality-stetson-university/
This workshop provides a hands-on introduction to Augmented Reality (AR) – a technique where virtual 3D objects can be overlaid into physical space and viewed through the camera and screen of mobile devices. AR is an emerging tool in game design and offers many exciting possibilities for visual artists and activists to realize their ideas in any scale or location in the world.
By the end of the workshop you will be able to:
• Create simple but meaningful 2D and 3D augmented reality objects and place them at specific geographical locations
• Know more about the Layar Mobile Augmented Reality Platform and theHoppola Augmented Reality Asset Server
• Test, view and document your work on location using iPhone or Android mobile devices
Participation Requirements: Each student must provide their own Wi-Fi enabled laptop, and bring a late model smartphone (iPhone or Android mobile device) equipped with a camera, GPS, compass, accelerometer, and mobile Internet or Wi-Fi connection.
John Craig Freeman is a public artist with over twenty years of experience using emergent technologies to produce large-scale public work at sites where the forces of globalization are impacting the lives of individuals in local communities. His work seeks to expand the notion of public by exploring how digital networked technology is transforming our sense of place. Freeman is a founding member of the international artists collective ManifestAR and he has produced work and exhibited around the world including in Liverpool, Venice, Istanbul, Xi’an, Belfast, Los Angeles, Beijing, Zurich, New York City, Taipei, São Paulo, Warsaw, Kaliningrad, Miami, Bilbao, Havana, Atlanta, Calgary, Buffalo, Boston, Mexico City, London and San Francisco. In 1992 he was awarded an Individual Artist Fellowship from the National Endowment for the Arts. He has had work commissioned by the ZERO1 Biennial, Rhizome.org and Turbulence.org. His work has been reviewed in The New York Times, El Pais, Liberation, Wired News, Artforum, Ten-8, Z Magazine, Afterimage, Photo Metro, New Art Examiner, Time, Harper’s and Der Spiegel. Christiane Paul cites Freeman’s work in her book Digital Art, Second Addition, as does Lucy Lippard in the Lure of the Local, and Margot Lovejoy in Digital Currents: Art in the Electronic Age. His writing has been published in Rhizomes, Leonardo, the Journal of Visual Culture, and Exposure. Freeman received a Bachelor of Art degree from the University of California, San Diego in 1986 and a Master of Fine Arts degree from the University of Colorado, Boulder in 1990. He is currently an Associate Professor of New Media at Emerson College in Boston. Freeman writes, “If Andy Warhol set out to create a distinctly American art form in the twentieth century, I identify with those who seek to create a distinctly global art form in the twenty-first.”