ANNI HOLM: The Immigration Project

August 18, 2018 – October 13, 2018

Opening Reception- August 24, 2018 6-8pm

“Jana – Germany (from Immigration Project)”, Archival Inkjet Print, 2003, 57″ X 43″ Anni Holm

After the attacks of Sept. 11th 2001, an investigation revealed that two of the suicide pilots were in the United States on expired student visas. The public expressed their concern towards this problem and demanded better security. It was proposed to monitor all international students’ actions while in the United States by enforcing fingerprinting and tracking cards with chip implants to enhance national security.

In this body of work, Anni deals with the issues of all the personal information the Student Exchange Visitor Program (SEVIS) might choose to obtain to monitor international students in the US. Anni worked with international students from all over the world to obtain photos, fingerprints and other forms of personal documents to create large-scale digital portraits of each student. Each image measures 57×43 inches and contains about 4000 life size fingerprints.

Alumni Permanent Collection Highlights

 August 18th – October 13th, 2018

Opening Reception- August 23, 2018 6-8 p.m.


Self Portrait in Blue, oil on panel, Trent Tomengo, 1999
 

The Alumni 2018 highlights works in the Stetson University permanent art collection and is a celebration of our studio art programs and graduates of the Creative Arts Department. The body of work presented, features a diverse exploration of art forms including sculpture, painting, ceramics, collage, and mixed media works. Artists included in the exhibit: Trent Tomengo, Sean Erwin, Jenny Catron, Erin McCollum, Gladys Cevallos, Nick Leibee, Sarah Hagan. 

Alumni Permanent Collection Highlights

June 14 – August 4th, 2018

Opening Reception- June 28, 2018 4-6 p.m.

Alumni Painting

  “Let Me Introduce My Selves”
 Oil on canvas, 2012, Ana Francis

The Alumni 2018 highlights works in the Stetson University permanent art collection and is a celebration of our studio art programs and graduates of the Creative Arts Department. The body of work presented, features a diverse exploration of art forms including sculpture, painting, ceramics, collage, and mixed media works.

Stetson Permanent Collection- Harry Louis Freund: Ancient Cultures of Latin America

June 14 – August 4th, 2018

Opening Reception- June 28, 2018 4-6 p.m.

Harry Louis Freund Painting
Court of Nunnery, Uxmal. Maya (New Empire) culture, Oil on Masonite.
Louis Freund was the Artist-in-Residence at Stetson University from 1949 to 1967. During this time he worked on a series of paintings based on the Indian culture of the Americas, having received grants to do so.

 

Creative Arts Digital Senior Exhibitions

April 14 – May 3, 2018
Reception April 20, 2018 from 6-8pm

The presentations of the capstone works created by Stetson’s graduating seniors in the Creative Arts Department.

 


(Un)canonical Bluemner

Works from the Vera Bluemner Kouba Collection

January 26 – May 3, 2018

Gallery Lecture
March 22nd at 7pm
Hand Art center Admission is free.
CULTURAL CREDIT for students!

Sunset Effect on Rain (1929), Oil on panel

Graduating senior Abigail Ramsbottom curated this exhibition as a component of her senior project. The exhibition aims to display Oscar Bluemner’s artistic development and explore the intersection of artist and art canonization, which is the way in which certain art and artists are selected, emphasized and commemorated in art museums, galleries and art history courses and textbooks. The gallery exhibition illuminates Bluemner’s significance both during his lifetime and at the present moment, analyzing the ways the art institutions and the art market impacted the posthumous fate of Bluemner’s oeuvre.

a better nectar

January 26 – March 3, 2018

A Better Nectar, by Jessica Rath, is a multisensory installation based on the artist’s extensive research into co-evolutionary communication between flowering plants and their pollinators. Rath creates an immersive experience using sculptural forms, light, and sound to explore how bumblebees learn and remember multisensory floral symbols to find better nectar. Visitors to Steton’s Gillespie Museum and Hand Art Center will encounter human-scaled sculptures that evoke a bee’s sensory journey from nest to nectar with audio and visual elements that interpret the bee’s experience of an audibly and visually pulsing world. Each location will also host a selection of photographs and watercolor paintings representing some of the world’s flowers — including important food crops like tomatoes and eggplants — that must be pollinated by bees buzzing at a specific frequency, something that’s known as buzz pollination.  Additionally each location will have research stations that visitors can explore.

 

Faculty Focus: Matt Roberts

January 26 – March 3, 2018

Matthew Roberts is a new media artist specializing in real-time video performance and new media applications. His work has been featured internationally and nationally, including shows in Taiwan, Brazil, Canada, Argentina, Italy, Mexico and nationally in New York, San Francisco, Miami and Chicago. He has been shown in several new media festivals including FILE, Zero1, 404 and CONFLUX, and he recently received the Transitio award from the Transitio_MX Festival in Mexico City. He is the founder of EMP: Electronic Mobile Performance, and is an associate professor of digital art at Stetson University.

Oscar Bluemner: Vision and Revision

Small Works from the Vera Bluemner Kouba Collection

August 18 – December 8, 2017

Roberta Smith Favis, Curator

Oscar Bluemner, Jersey Silkmills, c.1916-17, watercolor and ink on paper

This exhibition is dedicated to the memory of Jeffrey R. Hayes (1947-2012)

In 1997 the daughter of the American Modernist painter Oscar Bluemner (1867-1938) died in DeLand, Florida, leaving her remarkable collection of her father’s artworks and archival materials to Stetson University. This bequest now constitutes the Vera Bluemner Kouba Collection. The first major exhibition from this collection, Oscar Bluemner: A Daughter’s Legacy, was staged in Stetson’s Duncan Gallery of Art in 2004. In 2009 the Homer and Dolly Hand Art Center opened with a primary mission of housing and providing exhibition space for the Kouba Collection. Changing exhibitions in the Bluemner gallery are designed to introduce the public to the collection’s depth and breadth, and to educate viewers about the historical and aesthetic importance of Oscar Bluemner’s work. The current exhibition concludes a year-long celebration of the sesquicentennial of the artist’s birth.

28th Annual Juried Exhibit

November 3 – December 8, 2017

The 28th annual juried show of work by Stetson students.
Entry is open to all undergraduate students on Stetson’s DeLand campus.

Tanya Guevara, Water Buffalo, oil on canvas, 2017

Tradition and Innovation in Russian Art
August 18 – October 14, 2017

Andrew “Murray” Howe II, Thieves Market, Moscow 1909

This exhibition features an array of artworks illuminating Russian art’ and society’s oscillation between Western influences and national heritage and rapid modernization, which often evoked contrary expression idioms.

The photographs by Murray Howe, an American photojournalist, taken in 1909 during his trip to Moscow and St. Petersburg, offer a unique outsider perspective on Russian life during the late Imperial period.

Howe’s photographs create a perfect, mosaic-like socio-historical framing for Russian artworks ranging from solemn religious icons, to whimsical Faberge elephants, to refined silverwork in Neo-Russian style, and, finally, to abstracted works by Ukrainian avant-garde artist Alexander Archipenko. This particular selection of objects underscores the vibrancy of Russian art and its persistent quest for forging a new identity.

Faculty Focus: Madison Creech

in collaboration with Matthew Creech, Ola Lindefelt, and Wren Turco
August 18-October 145

The four artists engaging with this project are Madison Creech, textile artist and Creative Arts professor at Stetson University; Matthew Creech, illustrator, print collagist and barista from North Carolina; Ola Lindefelt, Swedish-born experimental cellist and audiovisual composer; and Wren Turco, photofilm sculptor and minimal electronic musician from Florida. Drawing on shared concerns and ideas as well as their diverse backgrounds, the four artists recently started collaborating as the FEELD collective.

FEELD is a cross-disciplinary artist collective exploring intersections of aesthetically challenging redefinitions of vernacular form and socially conscious, carbon-positive participatory experience pieces. We often integrate illustration, textile work, field audio recording, experimental music composition and progressive collage to create ensembles. Our unified creative output is used to challenge the structure and dominance of formal currencies by introducing and inviting to alternative ones.

Prints by Women

Selected European and American Works from the Georgia Museum of Art

January 20 – March 3, 2017


This exhibition includes 46 prints—woodcuts, lithographs, drypoints, etchings, screenprints and more—ranging from the 19th through the 21st centuries, each by a different European or American woman artist. “Prints by Women” uses works from the museum’s permanent collection to provide a visual chronicle of art by women.

Three of the most important European women artists, Rosa Bonheur (French, 1822–1899), Berthe Morisot (French, 1841–1895) and Käthe Kollwitz (German, 1867–1945), are featured in the exhibition. Bonheur’s hand-tinted lithograph “The Sheep Fold” was among the most widely-distributed and popular images of the 19th century in both Europe and the United States. Morisot’s untitled drypoint of ducks exhibits the influence of both French Impressionism and Japanese printmaking on the artist. Kollwitz was a graphic artist of first importance, male or female, and her etching “Woman By a Church Wall” is typical of her early post-Impressionist images. Three of the American women—Peggy Bacon, Victoria Hutson Huntley and Elizabeth Olds—contributed meaningfully to the growth of early American modernism as taught to them by the popular and influential art teacher and painter, Robert Henri.

Government support of the arts during Franklin Delano Roosevelt’s administration under the auspices of the New Deal’s “alphabet agencies” led to women artists (including Lucienne Bloch, Grace Clements, Minetta Good, Clare Leighton and Jenne Magafan) finding expanded opportunities for employment and work in the fine arts. Minna Citron, an artist associated with Abstract Expressionism in New York in the 1950s, experimented in unorthodox techniques in etching, especially in Stanley Hayter’s Atelier 17 workshop, with an interest in accidental effects and random elements that mirror her abstract paintings. The display also focuses on a handful of living contemporary artists, including Claire Clements, Ynez Johnston, Laquita Thompson and Emily Trueblood.

February 9, 2017
“Pressing Commitments: 20th Century Women Printmakers and the Demands of Art and Family”

Curator Talk with Elizabeth Seaton of Marianna Kistler Beach Museum of Art at Kansas State University

Dupont Ball Library, Room 25L, 7-8pm

Elizabeth Seaton has been with the Marianna Kistler Beach Museum of Art at Kansas State University since 2003. Previously Seaton worked in the museum education department of the Art Institute of Chicago (2000-2003) and as a curator at Northwestern University’s Mary and Leigh Block Museum of Art (1994-1996).

Seaton received her BA in art history from Harvard University in 1989 and MA/PhD in art history (emphasis American art) from Northwestern University in 2000. Her research interests include Kansas culture, American printmaking, US government patronage of the arts, and American art between the two world wars.

Seaton has organized numerous exhibitions, including the Beach Museum of Art’s 2005-2008 traveling exhibition, “Paths to the Press: Printmaking and American Women Artists, 1910-1960” and 2015-2017 traveling exhibition “Art for Every Home: Associated American Artists.” She is a co-author of the catalogues for these exhibitions and author of WPA Federal Art Project Printmaking in California (San Francisco: Book Club of California, 2005).

Reception:
January 27, 2017, 6-8pm


January 20 – March 3, 2017

Faculty Focus:  Dengke Chen

Dengke Chen is an assistant professor of digital arts at Stetson University. He holds an MFA in New Media from the Pennsylvania State University and a BFA in Animation from the China Central Academy of Fine Arts.

Artist Statement
Serious Animation and Ethical Criticism

By showing viewers the relationships between humans and humans, and between humans and nonhumans within a world of other super-intelligent creatures through an animal’s point of view, my animations seek to confront ethical issues such as aggression, racism and animal abuse

Unlike the single narrative storytelling techniques used in traditional animations to amuse and entertain audiences, my animations have nonlinear narratives that engage viewers to critically reflect on social and ethical issues that surround us. One of my main themes and areas of interest is in animal rights, largely due to my personal experiences, memories and fondness with animals.

Through animation based on art practice, by projecting my thoughts and my personal experience on distorted stories, I propose new insights and compel audiences to think about the unvarnished beauty and ugliness of the world. By bringing awareness of social problems and ethical issues that surround us and criticize them through animation, I’ll take my art as weapon and try to improve this world be more harmonious for every sentient life to live in.

Artist Lecture, Feb. 16th, 7-8pm, DuPont Ball Library, room 25L

Reception:
January 27, 2017, 6-8pm


November 4th- December 9th, 2016

27th Annual Undergraduate Juried Exhibition

Opening Reception: November 4th from 6-8pm
Awards Announced at 7pm

 

The Undergraduate Juried Arts Exhibition celebrates Stetson University students’ creativity, grows their imagination and encourages their exploration of the arts. Artwork is conceptualized, created and completed solely by the contestant. Cash awards are provided by the generosity of local businesses in our area. The awards are selected by a regional museum professional. This year, Stetson Alum Holly Keris, Chief Operating Officer & Chief Curator at the Cummer Museum of Art & Gardens will do the honors.  She received undergraduate degrees in History and Humanities from Stetson University in DeLand, Florida, and a graduate degree in the History of Art from the University of Virginia.  Holly has been with the Cummer Museum since 2003, where she strives to bring the Museum’s Permanent Collection, exhibitions, and historic gardens to life for the broader community.

This event wouldn’t be possible with our generous sponsors! 
PLEASE SUPPORT THEM WITH YOUR BUSINESS!!!!

Special Thanks to: 
BLAKE ELLIOT SALON & GALLERY
Bobby Baugh
PAUL ELKIND BRANZ KELTON
Charlene Thomas
DoBro’s
Jenny & Bob Catron
Rich & Lilis George


August 19 – December 9, 2016 

Oscar Bluemner: The Language of Architecture

WORKS FROM THE VERA BLUEMNER KOUBA COLLECTION

Oscar Bluemner, Stendal, 1892, pencil on paper

Opening Reception:  August 26th, 6-8pm

Curator Talk with Dr. Roberta Smith Favis: September 13th, 7pm at DuPont Ball Library, room 25L

Oscar Bluemner: The Language of Architecture – Works from the Vera Bluemner Kouba Collectiona new exhibition in the Homer and Dolly Hand Art Center at Stetson University will run from August 19 to December 9.  The exhibit will examine the significance of architecture in the work of American Modernist Oscar Bluemner (1867-1938).  This display of artwork and archival material from the collection of works by Bluemner continues the mission of the Hand Art Center to display and interpret the works inherited from the artist’s daughter, Vera Blumner Kouba.
Oscar Bluemner was a unique figure in the story of the art of the United States: a German who became an American, an architect who re-invented himself as a painter, an obsessive student of the art and the methods of the past who wholeheartedly embraced modern idioms. He had completed a degree in architecture in Berlin shortly before departing for the United States in 1892, and for his first two decades in America he pursued an architectural career with uneven success. By the beginning of the twentieth century his attention turned increasingly to painting, and by 1911 he was determined to abandon architecture for painting.
The new exhibition explores the ways in which architectural practice informed Bluemner’s painting as well as his use of buildings as a key component of his personal pictorial language. It includes archival material from his career as an architect, including a medal awarded to him by Kaiser Wilhelm II shortly before his departure for America as well as photographs of early architectural projects. Artworks from his second career as a painter have been selected to demonstrate his distinctive use of buildings as a key part of his modernist imagery.

 

August 19 – October 22, 2016

AQUIFERious

MARGARET ROSS TOLBERT

Tolbert3
Margaret Ross Tolbert, Well of the Aquifer, 2016, oil on canvas, Photo Credit: Randy Batista

Opening Reception:  August 26th, 6-8pm

Panel Discussion with Contributing Artists:  September 8th, 7pm in Sage Hall, room 257

Artist Talk with Margaret Ross Tolbert:  September 27th, 7pm in DuPont Ball Library, room 25L

 

AQUIFERious is curated by Margaret Ross Tolbert, and is based on her award-winning book of the same title. A multi-media art experience, the exhibition will juxtapose Tolbert’s dramatic, large-scale springs paintings with contributing artists’ and scientists’ photographs, videos and cartography. Featured will be the underwater photography by Jill Heinerth, Mark Long and Tom Morris. Springs maps by Eric Hutcheson and Georgia Shemitz.

 

 

August 19 – October 22, 2016

Vaselina Springs & The Arkie Deleons

GARY BOLDING

VaselinaSpringsCoverA1
Vaselina Springs and The Arkie DeLeons I-X 2016, acrylic and oil on panel

Opening Reception:  August 26th, 6-8pm

A Talk About Collaboration: October 4th, 7pm in The Hand Art Center Seminar room

Vaselina Springs and The Arkie DeLeons is a DIY work of art built from an expanding number of different components. It has strong narrative inclinations and a tendency to get out of control. It is a comedy, but it’s no joke. Gary Bolding is the primary content provider and image-maker, but much of the work is made collaboratively. The audio portion of this exhibition is drawn from a collection of songs written and performed by Bolding that were arranged, recorded, engineered, and produced by Ed Nicholson, who also functioned as multi-instrumentalist and bandleader. The collaborative nature and scope of the piece is continuing to expand rapidly. This exhibition is the first attempt at making a cohesive presentation of the Vaselina Springs and The Arkie DeLeons material.  The show also includes a 9-foot oil painting and an installation piece. Both are related thematically to the recordings.  Incidentally, Vaselina Springs (vay-sah-LEE-nah), population 25,104, is an oil town in south Arkansas.  The Arkie DeLeons are a band fronted by 2 half-brothers who wrote a rock soap opera about growing up there.

 

 

May 13 – July 2, 2016

American Painting and The Florida School of Art

Selections From Private Collections

Opening Reception May 13, 6-8 p.m.

American Painting & Florida School of Art

Featuring works by Carl Brandien, Franz Bolinger, Charles Chapin, Frank Fowler

Harry Fluhart, Martin Heade, George Innes, Harry Roseland and many more…


March 16 – April 2

Senior Showcase

Opening Reception March 18, 2016 from 6-8 p.m.

Featuring the works of Erin McCollum, Danielle Grisham, Gisela Alvarez, Taylor Gunderson Elizabeth Frates and Natasha Radovicz Schaidt.

VIPCfront


January 22 – May 21, 2016

Oscar Bluemner’s Germany: Youth and Return

Works from the Vera Bluemner Kouba Collection


eberfield


DAN GUNDERSON
Celebrating 40 Years at Stetson

X alt 72
January 22 – February 26, 2016
Opening Reception: January 22, 2016, 6-8pm

Lecture: Tuesday, February 9, 2016 @ DuPont 25L 7PM

Fall 2015

Oscar Bluemner and the Orient

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Image: Bristol (Quincy Adams), Charcoal on paper, Oscar Bluemner

Works from the Vera Bluemner Kouba Collection

August 14 – December 4, 2015

A selection of artworks by American Modernist Oscar Bluemner (1867-1938) shown alongside Japanese woodblock prints from the artists collection. Conservation of the Japanese prints was made possible by a grant from the Stockman Family Foundation.

The 26th Annual Juried Art Exhibition

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Trojan Horse, Clay, Gladys Cevallos

November 6th – December 4, 2015

Reception: November 13th, 2015 6-8PM

The 26th Annual Juried Art Exhibition is a student show where the hand art center displays the best student talent on campus. There is also a reception where prizes are awarded to the best in show. This year the judge will be Azela Santana from the Orlando Museum of Art. For more information please visit our Juried Art Exhibition page.

2015-2016 Academic Year

Fall


CREATIVE ARTS FACULTY FOCUS: Works by Ethan Greene & Nathan Wolek

August 14 – October 17, 2015

 PAM LOGOBARDI:  Drifters

August 21 – October 17, 2015

2014-2015 Academic Year

Summer

GERARD NADEAU:  Art of Space

June 16th- August 20th, 2015

A Tradition of Contemporary Ceramics

Ceramic horizontal

June 16th- August 1st, 2015

Image: Post Card Works- Purse in Green, Teapot, & Covered Jar

Spring

JUST PLAIN FOLK:  Works from the Michael Murrell Collection

A folk-art painting of a dog by Jimmy Lee Suddeth

January 16 – February 28, 2015

Image: Early Toto Dog, Paint on board, Jimmy Lee Suddeth

OSCAR BLUEMNER’S EUROPE: Paris to the Mediterranean

A watercolor of purple mountains done by Oscar Bluemner

January 16 – May 1, 2015

Image: Abruzzi Mountains, 1922, Watercolor on paper, Oscar Bluemner

Fall

Oscar Bluemner’s America: New England Scenes

power lines

September 5 – December 5, 2014

Image: Power Lines, Watercolor on paper, Oscar Bluemner

The Waiting Room: Lost and Found

02FloatDementiaPrint

September 5 – October 15, 2014

Image: Float, Lambda platinum prints encased in acrylic, Multiple Artists

25th Annual Juried Student Exhibition

Erin McCollum2

November 7 – December 5, 2014

Image: Dissociative Appetites, Oil on canvas, Erin McCollum

Summer

Apprentice: Student Works From the Stetson University Permanent Collection

Trent Teeming

July 1 – August 13, 2014

Image: Self Portrit in Blue, Oil on panel, Trent Tomengo


2013-2014 Academic Year

Fall

Oscar Bluemner: Color Sketches (Works from the Vera Bluemner Kouba Collection)

untitled feb 5 1911

September 13 – December 2, 2013

Image: Untitled, Colored pencil on paper, Oscar Bluemner

24th Annual Juried Student Exhibition

Ashleigh2

November 8 – December 2, 2013

Image: Opus 16, Mixed media, Ashleigh Stuart

Spring

Unearthed: Senior Thesis Exhibition

unearthed_stuart

March 22 – April 5, 2014

Image: Resurrection, Oil on canvas, Ashleigh Stuart

Oscar Bluemner: The Language of Trees

sketch for blue space

January 24 – May 5, 2014

Image: Sketch for Blue Space, Watercolors on paper, Oscar Bluemner


2012-2013 Academic Year

Fall

Oscar Bluemner’s America: Walking along a New Jersey Canal

sunset effect on rain

September 7 – December 5, 2012

Image: Sunset Effect on Rain, Oil on panel, Oscar Bluemner

Drawing from the Collection of Arthur Goldberg

Clock

September 7 – October 19, 2012

Image: Clock, pencil & graphite on canvas, Shimon Okshteyn

23rd Juried Student Art Exhibition

Troy Norton

November 9 – December 5, 2012

Image: Womanly, Clay and Glaze, Troy Norton

Spring

Oscar Bluemner’s Germany: Juxtaposing Jerichow

Bluemners-Jerichow

January 25 – April 29, 2013

Image: Jerichow, Ink and ink wash on paper, Oscar Bluemner

The Reflecting Pool Collected Work 1977-1980

Reflecting pool

January 25 – March 19, 2013

Image: The Reflecting Pool, Video, Bill Viola

Senior Thesis Exhibition (digital art)

A Part of the Machine

March 25 – April 5, 2013

Image: A Part of a Machine, Video, Dan Duvall

Senior Thesis Exhibition (studio art)

martin_full1000

April 15 – April 26, 2013

Image: 3 Years Old, Digitally Manipulated Photo, Maura Martin


2011-2012 Academic Year

Fall

Oscar Bluemner in Black and White: Newly Conserved Works

Old Canal, Red and Green (Sayreville, NJ) 1914

September 9 – December 9, 2011

Image: Study for Old Canal, Red and Green, 1914, Charcoal on paper, Oscar Bluemner

Mark Messersmith: Florida, An Uneasy Allusion Exhibition

august night at the boat ramp

September 9 – October 24, 2011

Image: August Night at the Boat Ramp, Oil on canvas, Mark Messersmith

22nd Juried Student Art Exhibition

Dearest Darling

November 11 – December 9, 2011

Image: Dearest Darling, Ink on eggs, Abigail Lamp

Spring

Judith Page: The Politics of the Personal Exhibition

Bubbles and Beasts

January 27 – March 2, 2012

Image: Bubbles and Beasts, Mixed media, Judith Page

Uma Coisa Into Another: Terri Witek & Cyriaco Lopes

Uma Coisa Into Another

March 12 – March 30, 2012

Image: Exit Island, Poetry and other media, Terri Witek & Cyriaco Lopes

Concentrated Color: Watercolors by Oscar Bluemner

Littoral (Red Island)

January 27 – May 2, 2012

Image: Littoral (Red Island), Watercolor on paper, Oscar Bluemner

Rethink: Senior Thesis Exhibition

img3004

April 13 – May 2, 2012

Image: By My Hands, Mixed Media Sculpture, Brittany Mann


2010-2011 Academic Year

Fall

Oscar Bluemner: The Vermillionaire in Black and White

violet tones

August 27 – December 3, 2010

Image: Violet Tones, Charcoal on paper, Oscar Bluemner

Selections from Stetson University’s Ceramics Collection

Purple Tripod Teapot_ white earthenware barium glaze _ russ gustafson-hilton

August 27 – March 2011

Image: Purple Tripod Teapot, White earthenware barium glaze, Russ Gustafson

21st Stetson University Juried Student Art Exhibition

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November 12 – December 3, 2010

Image: Modern Medussa, Mixed media, Carey G. Wilson

Spring

Selections from Stetson University’s Ceramics Collections

vessel_ shiiko alexander_underglaze white earthenware

August 27 – March, 2011

Image: Vessel, Underglaze white earthenware, Shiiko Alexander

Oscar Bluemner’s America: Picturing Patterson, N.J.

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January 14 – April, 29 2011

Image: Jersey Silkmills, Watercolor & colored pencil on paper, Oscar Bluemner

Senior Thesis Exhibition

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April 1 – 29, 2011

Image: Comfort in Numbers, Mixed media, Brandy Worlton


2009-2010 Academic Year

Fall

Gary Bolding: Itching & Scratching

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September 11 – October 30, 2009

Image: Me and Andy, Oil on wood, Gary Bolding

Oscar Bluemner: The Making of an American Modernist

Gutenberg New Jersey_colored pencil

September 11 – December 3, 2009

Image: Gutenberg (New Jersey), Colored pencil, Oscar Bluemner

20th Juried Stetson University Student Art Exhibition

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November 13 – December 3, 2009

Image: Deak Katarina, Oil on canvas, Sara Hagan

Spring

Selections for the Permanent Collection

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January 15 – April 28, 2010

Image: Family Portrait, Acrylic on plastic, Richard Heipp

Oscar Bluemner: Art and Identity between the World Wars

Campus fire

January 15 – April 28, 2010

Image: Campus Fire, Watercolor and tempera on paper mounted on board, Oscar Bluemner

Senior Thesis Exhibition

19

March 26 – April 28, 2010

Image: Interiors, Mixed media, Hogan Birney