As this symposium demonstrates, to seek the law in literature and film is to cast a very broad net. The treasure recovered ranges from the sublime (Chekhov and Sophocles) and stunning (videotape of a 2003 capital sentencing hearing and the 2007 Swedish thriller “Solstorm”), to the ridiculous (“The Mikado” and “My Favorite Martian”) and beyond (John Waters’ “Trash Trilogy”). The symposium also shows the variety of ways of writing about law, literature, and film, from the Ruthann Robson’s experimental musings on Antigone to Russell Murphy and Kate Day’s very practical applications of narrative to legal education.